Back in the early days of the Internet, I remember following some SF/F newsgroups and being utterly baffled by how so many grown women—authors, no less!—would spend a lot of time discussing a show with a really silly name. Why are these adults fans of what sounds like a cheesy show for, at best, teenagers, I wondered. So did Elio, when I told him.
Then I happened to catch part of an episode of said show, being rerun during the day. Something caught my attention and I felt like maybe we should try watching it, but it took a while before I suggested it to Elio. After all, we’d laughed about how silly it must be. But eventually we swallowed our pride and gave it a go.
That show was Buffy the Vampire Slayer and ever since then we’ve been huge fans of Joss Whedon. So when we first heard of The Nevers we were thrilled that there’d be a new Whedon show.
A review of Rule of Wolves or of the Shadow and Bone adaptation? Why not both, and a bit more on the side?
I read Shadow and Bone and the rest of the initial Grisha trilogy from Leigh Bardugo fairly soon after it came out. I do have a weakness for entertaining YA fantasy and that’s exactly how I would describe it. It is definitely a bit tropey and formulaic at times, but the writing is solid and the world different enough to feel fresh. I also have a distinct weakness for a first-person narrative and Bardugo delivers that as well, with a heroine who is interesting and has a sense of humour without being the usual “strong” female character who is sassy and kick-ass all the time. My main complaint after finishing the series was that the one formula of the YA fantasy I can do without is the tease of the female character almost hooking up with the villain/bad boy. I think it could have been quite interesting if Alina had not learned of the Darkling’s evil intentions until they were getting ready to deal with the Fold. Or at the very least somewhat later; I realise that the plot still needs her to spare the stag. I liked the overall setup of Alina’s relationship with Mal, with the good friendship and the seemingly unrequited love, but as his own character he didn’t quite come to life for me which meant that the romantic relationship felt a bit flat. What I enjoyed most about the series as a whole was probably Alina’s relationship with her power, going from suppressing it to wanting more of it and ultimately losing it all.
Guess what? The site redo stalled again, go figure. But at least I got a lot further this time. Now I am stuck pondering whether Reviews should just be folded in under this blog or if it makes sense to have proper reviews of single books, single episodes, etc separated out. Or perhaps I should just simplify the structure of the reviews so they work for covering a whole book series, a season of a show, etc.
But for now, I’ve been itching to comment on a few things that I’ve read and watched lately; Mark Lawrence’s The Girl and the Mountain (or more accurately, almost everything by Mark Lawrence), Leigh Bardugo’s Rule of Wolves as well as the adaptation of Shadow and Bone and The Nevers. I had planned on just one post, but its already growing at an alarming rate so lets do it one thing at a time.
6 years ago today, Ringo passed away. It feels like a lifetime ago and in many ways it is because together Ringo and Breeze changed my life almost completely. And now they are both gone, which my brain on some level still refuses to take in.
We learned of Ringo’s cancer towards the end of 2013. That, together with my mother’s advancing illness, sent my stress and depression spiralling out of control. I went to a doctor for the first time in many years, thinking that my blood pressure was through the roof and/or that I was about to have a heart attack the way my heart was racing. It was “just” a panic attack and severe anxiety, but it did convince me to start taking anti-depressants, which I had resisted for…well, decades.
I didn’t know it then, but it was the beginning of a very different phase of my life. In 2014, our book was published and we welcomed home Breeze, and both these events would have far-reaching consequences. The book through its amazing success and the many interviews, trips abroad and other wild experiences that it led to. And Breeze…well, without Breeze I would not have made so many new friends or become so involved in the Boxer Club through dog shows, training for working dog trials and just living a life with a boxer at the heart of it. We may have had dogs since I was quite young, but my life had never be so completely arranged around a dog as it became with Breeze.
Almost two and a half months now since the beginning of the year and Breeze’s passing. I can think about him without that horribly sharp pang of pain, but often I flash back to that first seizure on our walk. The cold sweat that immediately gripped me as my brain assumed the worst. It always does, but this time it was right. Just like it was right when Ringo started limping for no obvious reason. Of course, I have no doubt been wrong several times as well. But with Breeze…its odd, I don’t know if it was because of the surgeries for his knees and the cancer scare last autumn (that one turned out to be nothing, though), but for the last year or two I felt this almost painfully strong attachment to him. I’d often hug him in that way you do when you’re scared of losing something, as if you could hold on by hugging. I’d also feel scared that I was too happy, that things were too perfect now that I had Elio, two wonderful dogs and a horse. I am sure everyone gets these feelings, but I often get stuck in them. Well, that’s depression and incurable pessimism for you, when you feel good you are always waiting for something to go wrong.
Back to an old favourite today, a lesson blog. Writing something every time I ride became a chore even before I bought Barka (yes, that happened while blog was on hiatus, in early 2019), but it is still a good idea to occasionally write down my thoughts after a lesson. 2021 has started both well and not so well in terms of my riding. On the plus side is a happy, healthy horse (fingers crossed and all that) and the fact that I’ve had a chance to ride for Sten Åstedt every 14 days. Normally, I get a lesson for him once a month but twice now I have filled in for other regulars. Today was one such instance, we’ve had a mass of snow over night and those who needed to transport their horses to the arena couldn’t make it.
Less good is that I have been plagued by nerves. The cold weather is beautiful and lovely, but it can make the horses just a little frisky. To be honest, Barka is just a little more forward than usual and a little more alert, but when something gets on my mind, it stays there. I’ve found riding in the arena particularly difficult and that’s a bit curious because it used to be I felt much safer there than in the outdoor paddock. But what I have realised is that my fears have changed over the years. With Barka, I am much less worried about losing control over her (that was always my big fear before), but I am still worried about things happening that might scare her. Outside, I can keep an eye on my surroundings. Inside the arena, I never know when there will be a sudden sound outside the door. So its about control, but control of the environment around me rather than the horse.
It has been a while since I wrote anything here. Over 3.5 years, in fact. I’ve posted plenty to Otherworldly, but nothing about dogs, horses, books, mu*ing or life in general. For some of it, I’ve used Facebook instead. For the rest, I’ve had the occasional urge to post but found myself frustrated by the need to redesign and restructure the site. The site just ended up being an awkward reminder of the fact that I wasn’t able to muster the energy to work on it properly. I keep having things get only partially finished because of my depression and then I get even more depressed because I have half-finished things lying around.
But sometimes things happen that make me care less about my little obsessions and hang-ups. On January 1st this year, our beloved Breeze passed away at only 6.5 years of age. Out of the blue he started suffering seizures on the 31st of December and the next day we learned that he had a large brain tumour and that nothing could be done for him.
My heart is still in pieces and I miss his beautiful face and his large, comforting presence every moment of every day. He was not an easy dog but he was a wonderful dog.
I posted this on Facebook already, but this blog needs some love too, so I thought I might as well include both the post and the video of the event in question.
I haven’t blogged about MUSHing in ages, but a discussion at MU Soapbox was brought up as we were talking about potential CG changes on Blood of Dragons. It concerned whether games should ask for backgrounds or not before letting a character go IC, and the general consensus seemed to be that this is a horrible thing to do (much like anything else that keeps you from logging onto a game and being IC within 5 minutes).
Now, no one can deny that MUSHing is very much a niche hobby today and that it competes with an otherwise rather fast-paced gaming world that offers a lot of near-instant gratification. So, yes, there needs to be quick routes onto a game, such as pre-generated characters. But doing away with any form of background altogether seems like something that would only work for a very limited range of settings where it is enough to say that if you don’t mention any extraordinary events in your background, you’re assumed to have had a normal life up until the start of play. If the setting in question is one where it can be assumed that most players will have a somewhat similar understanding of what a “normal life” would entail, then yes, it works.
That rules out most non-modern day settings (and probably quite a few modern day settings too, depending on location, supernatural elements, etc). After 10 years of running Blood of Dragons, with a background as a mandatory part of CG, we’ve seen that at least 50% of players would come out of CG with some very odd notions about what a “normal life” would have been like for their characters, had we not been able to give them feedback on their write-ups. So, yes, the background is a little bit of a “test”, to see if the player has a concept in mind that will work on our particular game.
I know that some players prefer to “discover” their characters through roleplay and find it hard to settle on too many details before they start playing. While I am the total opposite myself, I know that creativity works differently for everyone. Some plan, some go with the flow. But the approach of seeing where the story takes you is also something that only works in particular settings/genres. Is your game set in a modern-day city where players can arrive IC as they start play, with no ties to anyone? Then that approach can be perfect. There are other scenarios that work too, but they tend to have in common that characters are unconnected to each other and that they can be fresh arrivals from distant places. As soon as your character needs to be worked into a network of other characters, you need to have at least some sense of the character’s past.
When it comes to Blood of Dragons, the setup of the game is such that I would say backgrounds of some kind are indispensable. The setting is not one where we can assume that all or even most players know what “normal” would be for their characters, so they do need some guidance from staff on their concepts (even if they don’t think they do). The kind of characters available (members of noble houses) also rule out concepts such as the mysterious loner with no ties to anyone else. Additionally, CGed characters become part of the stable of pre-gens once abandoned by their initial player, which means that any background or concept needs to be written so that another player—not just the person creating the character—can understand and work with it.
What I have been considering for a while, however, is trying to find a middle ground between a more detailed background (which doesn’t work so well on some types of characters, especially younger ones) and a concept sketch that presents the type of character the player has in mind and includes any key background events, while avoiding a traditional linear writeup. Given that we’ve also introduced an “Events” system that allows players to record significant events by date, any such details can already be migrated out of the background. It might be that moving to more of a concept sketch would both allow more flexibility in how characters are setup and actually prove more useful in helping inexperienced players come up with a playable concept without spending time on padding out a background needlessly.
This is starting to become routine. I stop blogging for a while, I change around the website and I never get things fully finished so that I feel comfortable with starting up. But whether or not I am ready to get back to regular posts, I do feel an urge right now to write about the latest developments with my riding. There may also follow posts about dog training, because I’ve been bitten by that bug too.
But to start with the riding, I am still riding Barka as part of a project at the riding school to give a few students a chance for more intense training as well as some low-level competitions. I ride my regular lesson on Mondays and then I ride Barka on my own on Fridays. In addition to that, we get a chance to ride for external trainers. Last year it was mainly jumping for Gunilla Fredriksson, which definitely highlighted just how basic the jumping we’ve done before has been. This year I’ve had the opportunity to ride twice for Sten Åstedt and that has been a real revelation when it comes to dressage. He has been training the instructors at the riding school for some years, so some of what he said wasn’t exactly new, but being taught one-on-one and really focusing on what he does differently was a whole new experience. Basically, its a matter of retraining a lot of the things I’ve been taught over the years. For example, my seat needs changing from the ground up, since my body is still too used to the old “push your heel down” school of riding. He wants my legs further back, my feet horizontal to the ground and the toes pointing forward. If the horse were to disappear from underneath me, I should land on the whole foot, not the heel which would mean I’d tip over backwards. And then there’s the fact that whether I am doing a circle to the left or a circle to the right, I sit for the wrong direction. One way would be natural (which way depends on whether you’re right- or left-handed), but both being an issue means its a learned behaviour. The fault? Having been taught to look far ahead, which on a circle means your pelvis is going to be going in a different direction than the horse’s body.
He illustrated this very clearly by having me ride Barka on a circle to the right while keeping her flexed at the poll for a circle to the left. As long as I did that, I sat correctly. The first few times that I changed the flex at the poll, my seat changed as well. That is going to be a lot of muscle memory to retrain. He also asks his students to ride from the outside in (outside leg to inside rein) instead of inside out (inside leg to outside rein), in part because he wants us to tell the horses what we want them to do instead of what we don’t want them to do. Show them the way with the inside rein instead of hindering them with the outside rein. A lot of it is definitely the opposite of what I’ve been taught before, but it certainly felt very good once I got it to work. Is it the one true way? I don’t know, I am not experienced enough, but I like the way he presents his ideas. He talks a lot about how it is easy to communicate something other than what you think you are communicating and this is something I’ve had ample proof of when training Breeze as well. Trying to get across exactly what you mean to another species is not easy, especially not when you’re using ways to communicate other than talking or writing such as balance or body language.
The last lesson for Sten (this past Wednesday) also involved a lot of focus on my rising trot. During the first lesson, he’d told me I kept going a little too fast. Now, he also wanted me to sit down much more lightly, as if my horse had a bad back. I definitely need to get my balance down into my feet for that to work and I need to rid myself of my urge to create momentum by using my seat to push the horse forward (in part learned over years of riding the laziest horses I could find), both when trotting and cantering. He had me give canter aids without sitting down in the saddle and at first I couldn’t quite visualize how I could lift the horse’s ribcage by just using my heel, but then suddenly it worked. Quite an amazing feeling, given how much I have struggled with giving soft canter aids and not trying to rock the horse into motion with my whole body.
The final thing for my new checklist was to keep my inner hand steadier (and lower) by imagining that I am holding one finger on a neck ring. He noted that generally he’d place the virtual neck ring further down on the horse’s neck, but my arms were too short. ;P Well, at least I have an expert agreeing with me there, I’ve always said I struggle to ride larger horses because of my short arms. Fortunately, Barka fits me pretty well. No modern dressage horses for me, which suits me just fine. I like the more baroque models. Fingers crossed that she will stay fit so that I can keep taking these extra lessons this semester, because its really motivating.
Well, I failed to write following last Friday’s session (in fact, I rode twice on Friday, both on my own during the day and then a lesson in the evening), but since Monday was largely a follow-up I might as well discuss them together.
I had read an article about improving your feel for the horse’s gaits, so I spent some time at the start of each session working on that. I also worked on getting my legs further forward, to get into a better position. Still need a stronger core, though. Following that, I focused on the basics during the warm-up: straightness, proper corners, obedience. On the whole, I think Barka responds quite well to most work at walk and trot, though once we moved onto shoulder-in and half-pass she does find it more challenging when her right hind leg needs to do more work. But that’s the idea, to try and strengthen it for the canter, since we’re still having a lot of arguments about taking the canter aids without the need for a whip to be applied and at least one protest buck.
I was particularly pleased with her trot towards the end today, after we’d done quite a bit of work on shrinking and enlarging a circle. She felt nicely balanced and fairly straight.
After missing last Monday due to a seminar, I was eager to get back to working on Barka this week. Maybe a little too eager, since I found myself a bit unfocused and doing a bit of this and that initially. However, after warming up, I did settle on doing some of that canter work since she certainly had felt strong enough for it during the jumping class last Friday.
Initially, Barka very much disagreed. She was fine with cantering when I stood up a bit and just allowed her to mind her own business during the warm-up, but once I started asking for canter from a more collected trot or even a walk she balked. I applied the whip and was rewarded with some surly kicks, though one of those did lead into a very nice canter. It definitely took quite a bit of persuasion, but I did get a circle or two of decent canter in both directions. After that, she was a lot more malleable and I asked for a bit more work at walk and trot before wrapping up. By that time she was insisting that she was very tired indeed. I also noticed that around 2/3’s into the hour, she had more or less switched which rein she was supporting herself on. She starts with the right but by the end it was more to the left.
For riding a dressage test, I’ll obviously need to get to the point where she doesn’t question the canter aids, at least not during the test itself. I should probably put in canter transitions during every lesson, just to remind her that I will insist on them.
For this Monday, I wanted to continue working on transitions as well as shortening and lengthening, though the end result was a bit of a mixed bag in terms of keeping to the plan. I clearly need a lot more practice when it comes to planning my own riding.
The good news, however, were that some stretches I’ve been doing seem to have worked to make mounting up a bit less uncomfortable. Still feeling a bit stiff, but I’ll keep at those and see it it keeps improving. I can tell my seat isn’t great without being reminded of using my stomach properly with some regularity, so that’s another one to keep in mind.
As for Barka, I am quite pleased with her at a trot. It is definitely her best gait and she gets quite supple after a bit of work. I rode with spurs today and she was quite a bit more “electric”, almost enough to make me tense up a bit, but she behaved. The canter came more easily that way, though getting it right every time is still a work in progress. Once she’s a bit stronger, I’ll need to do a session focused on canter transitions, but right now it would frustrate her pretty quickly.
I am starting up my horse blogging again, though with a bit of a different focus and format. Since a few weeks before Christmas, I am renting Barka from the riding school twice a week as part of a trial at the stables where they want to offer students a chance to do more than just take lessons. For this spring, the plan is that the riding school will be fielding a team for a regional dressage competition and the core of the team will be three of us “guinea pigs” in the horse rental program. Given this, I have an actual goal to work towards with Barka. Plus, I will be riding on my own, which I am very unused to doing after 30 years of just taking lessons. Taken together, this calls for some planning and what I will be doing with for each session on my own is write down what my goals had been and what I managed to accomplish, as well as make particular note of any issues that I need to work on. Since Barka managed to get kicked right before Christmas, today was the first proper session in a while, though I did help with starting her up again over the holidays. But this will serve as the starting point for project get ready to compete.
With today’s session, I wanted to focus on transitions as well as a bit of lengthening and shortening, working primarily at walk and trot since Barka is still lacking a bit of stamina after her involuntary rest period.
I managed to more or less stick to what I had in mind, though I can feel that the whole planning and executing my own lesson is still very new to me. For example, I probably switch between exercises a little too often. I did feel a marked improvement in Barka’s movement from start to finish, however, and her trot in particular felt balanced and relaxed at the end. The best transitions were from walk to trot, where I felt a nice impulse from the back and she maintained her frame. Trot to walk needs a bit of work, though I think it mostly comes down to my position not being steady enough. Canter work needs a lot of improvement, I will get to that in the next segment. I also had some issues with smaller circles, but that may come down to her only having started doing those again last week.
With this session in mind, I was able to come up with a list of key issues to work on during the spring. Number one is my own fitness, or lack thereof. I have been having a lot of issues with finding a good position in the saddle without various parts of my body hurting, so I will clearly need to limber up my legs and my hips as well as strengthen my back and stomach. I’ve had back issues in the past, but I’ve never felt quite this stiff before. I have clearly hit the age where something needs to be done. As for Barka, I do need to work on balancing her sides so she’s not so uneven, but I find it isn’t that huge of a deal with her all considered. If I improve my position I think that part will improve a lot too. Her canter, however, will need some work. She needs to become a good deal stronger and less likely to get the wrong leading leg in the canter. The latter problem is particularly difficult for me to work on as I am absolutely terrible at telling when a horse is on the wrong leading leg, which means I can’t correct for it quickly enough to be efficient. So that is a bit of a dilemma when riding on my own.
In the first post, I looked only at my years playing Angharad on Tales of Ta’veren, but as hinted at therein characters number two and three made their appearance while Tales still existed. Or rather, characters two and three that really went anywhere. As with my very first attempt at a MUSH, I did try out a few other places very briefly in the 1995 to 2000 span when I was most active as a player. I revisited Riva MUSH (this time with a character that I actually recall the name of, she was called Kelinda after a character in Geraldine Harris’s Seven Citadels series) and also tried out a game based on Feist’s Rift Wars saga, though “tried out” consisted mainly of making a character and not getting much further than that. She was called Rhiannon and by now it should be clear that I always borrow names.
But, I am getting ahead of myself a bit, as character number two did in fact appear as early as August of 1995, which I do believe was well ahead of both Kelinda and Rhiannon.